COUNTEE CULLEN

COUNTEE CULLEN (1903-1946)

Heritage
For Harold Jackman
What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass
Where young forest lovers lie,
Plighting troth beneath the sky.
So I lie, who always hear,
Though I cram against my ear
Both my thumbs, and keep them there,
Great drums throbbing through the air.
So I lie, whose fount of pride,
Dear distress, and joy allied,
Is my somber flesh and skin,
With the dark blood dammed within
Like great pulsing tides of wine
That, I fear, must burst the fine
Channels of the chafing net
Where they surge and foam and fret.
Africa? A book one thumbs
Listlessly, till slumber comes.
Unremembered are her bats
Circling through the night, her cats
Crouching in the river reeds,
Stalking gentle flesh that feeds
By the river brink; no more
Does the bugle-throated roar
Cry that monarch claws have leapt
From the scabbards where they slept.
Silver snakes that once a year
Doff the lovely coats you wear,
Seek no covert in your fear
Lest a mortal eye should see
What's your nakedness to me?
Here no leprous flowers rear
Fierce corollas in the air;
Here no bodies sleek and wet,
Dripping mingled rain and sweat,
Tread the savage measures of
Jungle boys and girls in love.
What is last year's snow to me,
Last year's anything? The tree
Budding yearly must forget
How its past arose or set--
Bough and blossom, flower, fruit,
Even what shy bird with mute
Wonder at her travail there,
Meekly labored in its hair.
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who find no peace
Night or day, no slight release
From the unremittent beat
Made by cruel padded feet
Walking through my body's street.
Up and down they go, and back,
Treading out a jungle track.
So I lie, who never quite
Safely sleep from rain at night--
I can never rest at all
When the rain begins to fall;
Like a soul gone mad with pain
I must match its weird refrain;
Ever must I twist and squirm,
Writhing like a baited worm,
While its primal measures drip
Through my body, crying, "Strip!
Doff this new exuberance.
Come and dance the Lover's Dance!"
In an old remembered way
Rain works on me night and day.
Quaint, outlandish heathen gods
Black men fashion out of rods,
Clay, and brittle bits of stone,
In a likeness like their own,
My conversion came high-priced;
I belong to Jesus Christ,
Preacher of Humility;
Heathen gods are naught to me.
Father, Son, and Holy Ghost,
So I make an idle boast;
Jesus of the twice-turned cheek,
Lamb of God, although I speak
With my mouth thus, in my heart
Do I play a double part.
Ever at Thy glowing altar
Must my heart grow sick and falter,
Wishing He I served were black,
Thinking then it would not lack
Precedent of pain to guide it,
Let who would or might deride it;
Surely then this flesh would know
Yours had borne a kindred woe.
Lord, I fashion dark gods, too,
Daring even to give You
Dark despairing features where,
Crowned with dark rebellious hair,
Patience wavers just so much as
Mortal grief compels, while touches
Quick and hot, of anger, rise
To smitten cheek and weary eyes.
Lord, forgive me if my need
Sometimes shapes a human creed.
All day long and all night through,
One thing only must I do:
Quench my pride and cool my blood,
Lest I perish in the flood,
Lest a hidden ember set
Timber that I thought was wet
Burning like the dryest fax,
Melting like the merest wax,
Lest the grave restore its dead.
Not yet has my heart or head
In the least way realized
They and I are civilized.

For a Poet
I have wrapped my dreams in a silken cloth,
And laid them away in a box of gold;
Where long will cling the lips of the moth,
I have wrapped my dreams in a silken cloth;
I hide no hate; I am not even wroth
Who found earth's breath so keen and cold;
I have wrapped my dreams in a silken cloth,
And laid them away in a box of gold.

Simon the Cyrenian Speaks
He never spoke a word to me,
And yet He called my name;
He never gave a sign to me,
And yet I knew and came.
At first I said, "I will not bear
His cross upon my back;
He only seeks to place it there
Because my skin is black."
But He was dying for a dream,
And He was very meek,
And in His eyes there shone a gleam
Men journey far to seek.
It was Himself my pity bought;
I did for Christ alone
What all of Rome could not have wrought
With bruise of lash or stone.

The Wise
Dead men are wisest, for they know
How far the roots of flowers go,
How long a seed must rot to grow.
Dead men alone bear frost and rain
On throbless heart and heatless brain,
And feel no stir of joy or pain.
Dead men alone are satiate;
They sleep and dream and have no weight,
To curb their rest, of love or hate.
Strange, men should flee their company,
Or think me strange who long to be
Wrapped in their cool immunity.

That Bright Chimeric Beast
That bright chimeric beast
Conceived yet never born,
Save in the poet's breast,
The white-flanked unicorn,
Never may be shaken
From his solitude;
Never may be taken
In any earthly wood.
That bird forever feathered,
Of its new self the sire,
After aeons weathered,
Reincarnate by fire,
Falcon may not nor eagle
Swerve from his eyrie,
Nor any crumb inveigle
Down to an earthly tree.
That fish of the dread regime
Invented to become
The fable and the dream
Of the Lord's aquarium,
Leviathan, the jointed
Harpoon was never wrought
By which the Lord's anointed
Will suffer to be caught.
Bird of the deathless breast,
Fish of the frantic fin,
That bright chimeric beast
Flashing the argent skin,--
If beasts like these you'd harry,
Plumb then the poet's dream;
Make it your aviary,
Make it your wood and stream.
There only shall the swish
Be heard of the regal fish;
There like a golden knife
Dart the feet of the unicorn,
And there, death brought to life,
The dead bird be reborn.

For a Lady I Know
She even thinks that up in heaven
Her class lies late and snores,
While poor black cherubs rise at seven
To do celestial chores.

Incident
Once riding in old Baltimore,
Heart-filled, head-filled with glee,
I saw a Baltimorean
Keep looking straight at me.
Now I was eight and very small,
And he was no whit bigger,
And so I smiled, but he poked out
His tongue, and called me, "Nigger."
I saw the whole of Baltimore
From May until December;
Of all the things that happened there
That's all that I remember.

Saturday's Child
Some are teethed on a silver spoon,
With the stars strung for a rattle;
I cut my teeth as the black racoon--
For implements of battle.
Some are swaddled in silk and down,
And heralded by a star;
They swathed my limbs in a sackcloth gown
On a night that was black as tar.
For some, godfather and goddame
The opulent fairies be;
Dame Poverty gave me my name,
And Pain godfathered me.
For I was born on Saturday--
"Bad time for planting a seed,"
Was all my father had to say,
And, "One mouth more to feed."
Death cut the strings that gave me life,
And handed me to Sorrow,
The only kind of middle wife
My folks could beg or borrow.

Fruit of the Flower
My father is a quiet man
With sober, steady ways;
For simile, a folded fan;
His nights are like his days.
My mother's life is puritan,
No hint of cavalier,
A pool so calm you're sure it can
Have little depth to fear.
And yet my father's eyes can boast
How full his life has been;
There haunts them yet the languid ghost
Of some still sacred sin.
And though my mother chants of God,
And of the mystic river,
I've seen a bit of checkered sod
Set all her flesh aquiver.
Why should he deem it pure mischance
A son of his is fain
To do a naked tribal dance
Each time he hears the rain?
Why should she think it devil's art
That all my songs should be
Of love and lovers, broken heart,
And wild sweet agony?
Who plants a seed begets a bud,
Extract of that same root;
Why marvel at the hectic blood
That flushes this wild fruit?

Youth Sings a Song of Rosebuds
Since men grow diffident at last,
And care no whit at all,
If spring be come, or the fall be past,
Or how the cool rains fall,
I come to no flower but I pluck,
I raise no cup but I sip,
For a mouth is the best of sweets to suck;
The oldest wine's on the lip.
If I grow old in a year or two,
And come to the querulous song
Of "Alack and aday" and "This was true,
And that, when I was young,"
I must have sweets to remember by,
Some blossom saved from the mire,
Some death-rebellious ember I
Can fan into a fire.

The Loss of Love
All through an empty place I go,
And find her not in any room;
The candles and the lamps I light
Go down before a wind of gloom.
Thick-spraddled lies the dust about,
A fit, sad place to write her name
Or draw her face the way she looked
That legendary night she came.
The old house crumbles bit by bit;
Each day I hear the ominous thud
That says another rent is there
For winds to pierce and storms to flood.
My orchards groan and sag with fruit;
Where, Indian-wise, the bees go round;
I let it rot upon the bough;
I eat what falls upon the ground.
The heavy cows go laboring
In agony with clotted teats;
My hands are slack; my blood is cold;
I marvel that my heart still beats.
I have no will to weep or sing,
No least desire to pray or curse;
The loss of love is a terrible thing;
They lie who say that death is worse.

Yet Do I Marvel
I doubt not God is good, well-meaning, kind
And did He stoop to quibble could tell why
The little buried mole continues blind,
Why flesh that mirrors Him must some day die,
Make plain the reason tortured Tantalus
Is baited by the fickle fruit, declare
If merely brute caprice dooms Sisyphus
To struggle up a never-ending stair.
Inscrutable His ways are, and immune
To catechism by a mind too strewn
With petty cares to slightly understand
What awful brain compels His awful hand.
Yet do I marvel at this curious thing:
To make a poet black, and bid him sing!

From the Dark Tower
We shall not always plant while others reap
The golden increment of bursting fruit,
Not always countenance, abject and mute,
That lesser men should hold their brothers cheap;
Not everlastingly while others sleep
Shall we beguile their limbs with mellow flute,
Not always bend to some more subtle brute;
We were not made to eternally weep.
The night whose sable breast relieves the stark,
White stars is no less lovely being dark,
And there are buds that cannot bloom at all
In light, but crumple, piteous, and fall;
So in the dark we hide the heart that bleeds,
And wait, and tend our agonizing seeds.

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